If you asked me to name my top twenty list of the most romantic films I've seen, I could say a few of them right off the bat: Notorious, An Affair to Remember, The Thin Man (seriously!), Love Letters, Casablanca... and Brigadoon. I have a feeling most of you would disagree with me on that last one. Poor Brigadoon is used to it -- the film has been battered around ever since it was first released in 1954. Actually, Brigadoon's troubles began from the very start of production.
Anyway, with the cast finalized in 1953 and Kelly's schedule clear, the battles began. First of all, by this time, musicals were slowly falling out of favor. To make matters worse, MGM was in a bit of turmoil when long-time studio head L.B. Mayer got pushed out and was replaced by Dore Schary, a man who favored cutting costs over artistic vision. Director Vincente Minnelli and Kelly were all for shooting the film in Scotland, but Schary was completely against it. As a compromise, Minnelli and Kelly settled for some highlands in Big Sur in California, but the studio nixed that idea as well. Everything had to be filmed on the lot, which a lot of people count as one of the movie's hindrances.
"Waitin' for My Dearie." Charisse never did use her own singing voice (supposedly her choice), so she is dubbed by Carol Richards here. Nobody could substitute for her dancing, though! This number reminds me of "June Bride" from Seven Brides for Seven Brothers,
"I'll Go Home with Bonnie Jean." This song is a total earworm for me. The Scotsmen do a little traditional Scottish jig, but when
"The Heather on the Hill." The dancing is just sublime, with the film's choreography done by Gene Kelly. There are leg extensions, twirls,
Back on the hill, Fiona and Tommy are happily running around and collecting heather. However, when Tommy says he
"Almost Like Being in Love" is Gene Kelly’s only solo in the film, and while it doesn’t rank as one of his best, it’s still freaking Gene Kelly.
It wouldn't be right to finish this review without mentioning the music penned by Alan Jay Lerner and Frederick Lowe. (Lerner also did the screenplay.) You may know the duo from My Fair Lady, Camelot, or another one of Minnelli's great musicals, Gigi. Many songs were cut from the original musical, mainly because of time limits. Part of the reason why Meg Brockie's role was downsized so much was because her two songs were deemed too risqué by the Breen office. Gene Kelly had two additional songs, "There But for You Go I" (say that five times fast) and "From This Day On," but supposedly the filmmakers thought Kelly's voice didn't sound the best so they tabled them. I agree that Brigadoon's songs stretch the limits of Kelly's singing, but that's kind of why I like them so much -- it shows you a different facet of what he could do. You can listen to Kelly's audio recordings of the cut material here and here. Another great number that got the ax was "Come to Me, Bend to Me," a song that Charlie sings to Jeannie to try and see her before their wedding. (Jimmy Thompson, the actor who played Charlie, was dubbed by John Gustafson.) My DVD version includes the filmed number as part of its bonus features, but you can hear the audio version of it here. For an added treat, you can also listen to Adam Lambert's rendition here.
Brigadoon is a lovely and sweetly romantic film that I wish received more appreciation. It was created by people at the height of their talent, adorning the movie with gorgeous dancing, sincere acting, beautiful sets and costumes, superb music, and strong direction.
This post is part of my first blogathon, a celebration of the extremely talented Vincente Minnelli. You can read the full roster here.